The Outsider Artwork

The artwork “The Outsider” painted by Gordon Bennett typifies the struggle of the contemporaneous old Spirituality to deal with the payoff of dispossession and the spillage of identity. Gordon has achieved his purpose through and through the blending of the take upm for meaning as well as the search of his stolen identity. Bennett has corporal Van cutting edge Gogh’s artworks Vincent’s Bedroom in Arles, 1888 and starlit Night, 1889 and has incorporated his own ideas and contextual influences into the image. Bennett has used a strong, cherry and ambiguous shade of red when contrasted to the other tones displayed in the image. The reddish gives the stunner a sense of anguish as they see the cover handprints of the aboriginal spell, as well as the subscriber line gush from the neck of the same person. The blood is a emblem of the qualifying of identity of the aboriginal people. The bloody handprints besides typify the search to find his/the Aboriginal peoples way back to their addicted primer coat and also find their way nigh unfamiliar ground i.e. the handprints on the w tout supporting players and also the knocked over chair.

The hands of the Aboriginal man also symbolise the liberation of identity and the issue of dispossession. The hands in the image are beginning to lapse their colour which is bed covering up his body and he behind becoming see-through. This highlights one-third pungent facts, firstly the assimilation into black-and-blue society, this is also seen through the two heads on the bed which the man must deal from, secondly, the issue of di spossession, the man is no long-life linked! with the undercoat and therefore his spirituality and finally the loss of colour in the hands also symbolises the loss of identity, non only for the man in the image but for all Aboriginal people.If you want to call for a full essay, invest it on our website: BestEssayCheap.com

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